by Neo-Neocon

In trying to understand what about Obama appeals so powerfully to his supporters, I’ve decided that some—perhaps even much—of it is style.

He gives a good speech. He has a deep voice. He’s tall. He’s slender. He knows what a dap is. And he can turn a literary phrase.

The latter is the reason some literary folk like him, anyway, by their own report—that’s according to at least two examples of the genre, fiction writer Michael Chabon, and Sam Anderson, who appears to be a book reviewer at New York Magazine, and is the author of the article from which the following excerpts are taken [quotes italicized, with my comments interspersed in regular print]:

Michael Chabon, arguably America’s best line-by-line literary stylist, says he became a proselytizing Obama supporter after reading a particularly impressive turn of phrase in the senator’s second book—a conversion experience that seems, on first glance, inexcusably silly, but on fifth glance might be slightly profound.

No, even on fifth glance, it’s not even slightly profound. It’s profoundly slight.

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“Imagine there’s no countries/it isn’t hard to do/nothing to kill or die for/and no religion too/imagine all the people/living life in peace.”
- John Lennon, Imagine

With the American Democratic Party’s formal consummation of its dalliance with the Fresh Prince of Thin Air, we had anticipated at least some airing of the lamentations of regret typically following such ill-advised intercourse. Hearing little to none, we are compelled to re-examine the cultural circumstances which make it possible for a farce such as this to come to pass.

Though much discussed, the Obama ascendancy still baffles: the party of Roosevelt, Truman and Kennedy has turned the keys over to a very junior Senator whose scant voting record is the furthest left of any in the Senate. Really? It has been called “the audacity of hope.” We call it merely, audacity; that strain of defiant, reckless, irresponsible audacity one expects from a sixteen year old, not from a national institution that – at one time anyway – was of significant weight and consequence.

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